![]() The 14mm end adds incredible drama to landscapes, but step into the zoom and there’s plenty of scope for tighter framing. ![]() If you’ve moved to Canon’s stunning RF-mount cameras and want a lightweight full frame wide-angle zoom, look no further than the RF 14-35mm f4 L IS USM a lens that really shows the benefits of the new system. Read our Canon EF 11-24mm f/4L USM review. It’s still expensive, but you know, less so. If it’s too much, consider the Canon EF 16-35mm f/4L IS USM. And not just for Canon DSLR users – there isn’t an equivalent to this lens in the RF range, so EOS R users should definitely consider adapting it (though again, that’ll cost you). With that said, if your budget stretches this far, the Canon EF 11-24mm f/4L USM really is worth it. The fact that it’s such a unique proposition is likely why it has so stubbornly held onto its high price in all the years since its release. There’s no sugar-coating it – this is an expensive lens. Of course, that will add to the already considerable outlay you’ll incur for the Canon EF 11-24mm f/4L USM. And while that bulbous front element precludes the attachment of screw-in filters, it is possible to drop in rear filters via a dedicated adapter from LEE Filters. The image quality is absolutely sublime, and the build of the lens as solid as you’d expect from an L-series optic. The Canon EF 11-24mm f/4L USM is an outstanding achievement in the field of how much you can cram into a frame, and there really isn’t a lens to match it, in or out of the Canon ecosystem. This is the world’s widest rectilinear zoom lens – meaning it renders straight lines as appearing straight, unlike a fisheye which will curve them. The striking feature of the EF 11-24mm f/4L USM is the bulbous front element. So without further ado, here are our recommendations for the best lenses for landscape photography:īest Canon APS-C landscape lens: Canon EF-S 10-22mm f/3.5-4.5 USM There are also a few features you probably don’t need to worry about, like image stabilisation, as landscape photographers tend to work on tripods. However, if you’re prepared to pay extra, you can get large-aperture wide-angle zooms for working in low light. Wide-angle zooms aren’t always the fastest, which generally isn’t a problem as you’ll likely be working at narrower apertures for landscapes anyway. Check out our guide to the best filters for landscape photography to get an idea of the kinds you might use. Filters can be hugely important in landscape work, so it’s worth thinking about the filter setup when you buy a lens. Many ultra-wide lenses can’t take front-mounted filters at all because of their bulbous front element, while others will require ones with a sizeable filter thread. Also, pay attention to the filter compatibility. It’s also worth looking out for weather sealing, so that a little rain doesn’t put a premature end to your whole shoot. Light weight because you don’t want to lug it about, ease of use because you may be wearing gloves (a good control ring is your friend here), and image sharpness because you’ll often be stopping down to capture as much detail as possible. What’s also often important to landscapers is a combination of light weight, ease of use, and image sharpness. Wide-angle zooms come in all shapes, sizes and prices, so it can be difficult to know which to choose. How to choose the best lens for landscape photography Check out our guide to the best cameras for landscape photography if you need to build up the other half of your system too – and now, let’s dig a little deeper into what makes for a perfect landscape lens. Whether you shoot with Canon, Nikon, Sony, Fujifilm or anything else, there should be an exceptional landscape lens here for you. In this guide, we’ve picked out the best wide-angle zooms for all the major systems on the market. With a simply twist of a good zoom, you can line up your framing just to where you want it. You could carry a bag full of primes of course, but this will be heavy, and it may be difficult to change lenses safely if the weather is poor. While a prime delivers more bang for your buck in terms of optical quality and maximum aperture, the expansive nature of the landscape means it’s hard to change perspective by just moving your feet if the framing isn’t right. Having a wide-angle perspective, meanwhile, helps you cram as much of the vista before you into the frame as possible. A good zoom provides the best balance between optical quality and versatility, both of which you need when shooting landscapes. We’ll serve you a spoiler up top – the best lens for landscape photography is almost always going to be a wide-angle zoom lens. Kingsley Singleton helps you find the best lens for landscape photography in this essential guide to the best wide zooms for every system.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |